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Steely Dan Do It Again Youtueb

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American rock band

Steely Dan
Steely Dan performing in 2007. Walter Becker (l) playing electric guitar, Donald Fagen (r) playing melodica.

Steely Dan performing in 2007. Walter Becker (l) playing electric guitar, Donald Fagen (r) playing melodica.
Background information
Origin Annandale-on-Hudson, New York, U.s.
Genres
  • Jazz rock
  • soft rock [one]
  • popular rock[two]
  • jazz fusion[3]
Years active 1971–1981, 1993–present
Labels
  • ABC
  • MCA
  • Behemothic
  • Reprise
  • Warner Bros.
Associated acts
  • Jay and the Americans
  • Doobie Brothers
  • New York Rock and Soul Revue
  • Dukes of September Rhythm Revue
  • Toto[4]
  • Larry Carlton
Website steelydan.com
Members Donald Fagen
Past members
  • Walter Becker
  • Jeff Baxter
  • Denny Dias
  • Jim Hodder
  • David Palmer
  • Royce Jones
  • Michael McDonald
  • Jeff Porcaro

Steely Dan is an American stone band founded in 1971 at Bard College in Annandale-on-Hudson, New York by cadre members Walter Becker (guitars, bass, backing vocals) and Donald Fagen (keyboards, lead vocals). Blending elements of rock, jazz, Latin music, R&B, dejection[5] and sophisticated studio production with cryptic and ironic lyrics, the band enjoyed critical and commercial success starting from the early on 1970s until breaking up in 1981.[5] Initially the band had a stable lineup, but in 1974, Becker and Fagen retired the ring from alive performances altogether to become a studio-just ring, opting to tape with a revolving cast of session musicians. Rolling Rock has chosen them "the perfect musical antiheroes for the Seventies".[half dozen]

Subsequently the group disbanded in 1981, Becker and Fagen were less active throughout most of the next decade, though a cult following[5] remained devoted to the group. Since reuniting in 1993, Steely Dan has toured steadily and released 2 albums of new fabric, the outset of which, Two Against Nature, earned a Grammy Award for Album of the Yr. They have sold more than 40 1000000 albums worldwide and were inducted into the Stone and Roll Hall of Fame in March 2001.[7] [8] [9] [10] VH1 ranked Steely Dan at No. 82 on their list of the 100 Greatest Musical Artists of All Fourth dimension.[11] Rolling Stone ranked them No. fifteen on its listing of the twenty Greatest Duos of All Time.[12] Founding member Walter Becker died on September 3, 2017, leaving Fagen as the sole official member.

History [edit]

Formative and early years (1967–1972) [edit]

Becker and Fagen met in 1967 at Bard College, in Annandale-on-Hudson, New York. As Fagen passed by a café, The Ruby-red Balloon, he heard Becker practicing the electric guitar."[thirteen] In an interview, Fagen recounted the feel: "I hear this guy practising, and information technology sounded very professional and gimmicky. It sounded like, you know, similar a black person, really."[13] He introduced himself to Becker and asked, "Do yous want to exist in a band?"[13] Discovering that they enjoyed similar music, the ii began writing songs together.

Becker and Fagen began playing in local groups. I such grouping – known as the Don Fagen Jazz Trio, the Bad Rock Group and later on the Leather Canary – included future one-act star Chevy Chase on drums. They played covers of songs by The Rolling Stones ("Dandelion"), Moby Grape ("Hey Grandma"), and Willie Dixon ("Spoonful"), equally well equally some original compositions.[thirteen] Terence Boylan, another Bard musician, remembered that Fagen took readily to the beatnik life while attending higher: "They never came out of their room, they stayed up all night. They looked like ghosts—black turtlenecks and skin so white that it looked similar yogurt. Absolutely no activity, chain-smoking Lucky Strikes and dope."[13]

Subsequently Fagen graduated in 1969, the two moved to Brooklyn and tried to peddle their tunes in the Brill Building in midtown Manhattan. Kenny Vance (of Jay and the Americans), who had a production part in the building, took an involvement in their music, which led to work on the soundtrack of the low-upkeep Richard Pryor moving picture You've Got to Walk Information technology Like Yous Talk It or You'll Lose That Trounce. Becker subsequently said frankly, "Nosotros did it for the money."[fourteen] A serial of demos from 1968 to 1971 are available in multiple different releases, not authorized by Becker and Fagen.[15] This collection features approximately 25 tracks and is notable for its thin arrangements (Fagen plays solo piano on many songs) and lo-fi product, a dissimilarity with Steely Dan'south later piece of work. Although some of these songs ("Caves of Altamira", "Brooklyn", "Barrytown") were re-recorded for Steely Dan albums, most were never officially released.

Becker and Fagen joined the touring band of Jay and the Americans for well-nigh a year and a half.[16] They were at beginning paid $100 per bear witness, but partway through their tenure the band's bout manager cutting their salaries in one-half.[16] The group'southward atomic number 82 singer, Jay Black, dubbed Becker and Fagen "the Manson and Starkweather of rock 'northward' roll", referring to cult leader Charles Manson and spree killer Charles Starkweather.[sixteen]

They had little success after moving to Brooklyn, although Barbra Streisand recorded their song "I Mean To Shine" on her 1971 Barbra Joan Streisand album. Their fortunes changed when one of Vance'southward assembly, Gary Katz, moved to Los Angeles to become a staff producer for ABC Records. He hired Becker and Fagen every bit staff songwriters; they flew to California. Katz would produce all their 1970s albums in collaboration with engineer Roger Nichols. Nichols would win six Grammy Awards for his work with the band from the 1970s to 2001.[17]

Also realizing that their songs were too circuitous for other ABC artists, at Katz's suggestion Becker and Fagen formed their own band with guitarists Denny Dias and Jeff "Skunk" Baxter, drummer Jim Hodder and singer David Palmer, and Katz signed them to ABC as recording artists. Fans of Beat Generation literature, Fagen and Becker named the band later on a "revolutionary" steam-powered dildo mentioned in the William Southward. Burroughs novel Naked Lunch.[18] [xix] [20] Palmer joined as a 2nd pb vocalist because of Fagen's occasional phase fear, his reluctance to sing in front of an audience, and because the label believed that his vocalization was not "commercial" enough.

In 1972, ABC issued Steely Dan'southward first single, "Dallas", backed with "Sail the Waterway". Distribution of "stock" copies available to the general public was apparently extremely express;[21] the single sold so poorly that promotional copies are much more than readily available than stock copies in today's collectors market place. Every bit of 2015, "Dallas" and "Sail the Waterway" are the only officially released Steely Dan tracks that have non been reissued on cassette or compact disc. In an interview (1995), Becker and Fagen called the songs "stinko."[22] "Dallas" was afterward covered by Poco on their Caput Over Heels album.

Can't Purchase a Thrill and Countdown to Ecstasy (1972–1973) [edit]

Can't Buy a Thrill, Steely Dan's debut album, was released in 1972. Its hit singles "Do It Again" and "Reelin' In the Years" reached No. six and No. xi respectively on the Billboard singles chart. Along with "Dirty Work" (sung by David Palmer), the songs became staples on radio.

Because of Fagen's reluctance to sing live, Palmer handled nigh of the vocal duties on stage. During the first tour, however, Katz and Becker decided that they preferred Fagen's interpretations of the band's songs, persuading him to take over. Palmer quietly left the group while it recorded its 2nd album; he later co-wrote the No. 2 hit "Jazzman" (1974) with Carole King.

Released in 1973, Countdown to Ecstasy was not as commercially successful as Steely Dan's kickoff album. Becker and Fagen were unhappy with some of the performances on the tape and believed that it sold poorly because it had been recorded hastily on tour. The album's singles were "Show Biz Kids" and "My Old School", both of which stayed in the lower half of the Billboard charts (though "My Old School" and—to a bottom extent—"Bodhisattva" became FM Rock staples in fourth dimension).

Pretzel Logic and Katy Lied (1974–1976) [edit]

Guitarist Jeff "Skunk" Baxter left Steely Dan in 1974 when they ceased performing live and began working in the studio exclusively.

Pretzel Logic was released in early 1974. A diverse prepare, information technology includes the group's most successful single, "Rikki Don't Lose That Number" (No. 4 on the Billboard Hot 100), and a annotation-for-note rendition of Duke Ellington and James "Bubber" Miley's "East St. Louis Toodle-Oo".

During the previous anthology's tour, the band had added vocaliser-percussionist Royce Jones, vocalist-keyboardist Michael McDonald, and session drummer Jeff Porcaro.[23] Porcaro played the sole pulsate track on one song, "Night By Nighttime" on Pretzel Logic (Jim Gordon played drums on all the remaining tracks, and he and Porcaro both played on "Parker'due south Band"), reflecting Steely Dan's increasing reliance on session musicians (including Dean Parks and Rick Derringer). Jeff Porcaro and Katy Lied pianist David Paich would go on to form Toto. Striving for perfection, Becker and Fagen sometimes asked musicians to record as many as xl takes of each track.[24]

Pretzel Logic was the first Steely Dan anthology to characteristic Walter Becker on guitar. "One time I met [session musician] Chuck Rainey", he explained, "I felt in that location really was no need for me to be bringing my bass guitar to the studio anymore".[24]

A rift began growing between Becker-Fagen and Steely Dan's other members (specially Baxter and Hodder), who wanted to tour. Becker and Fagen disliked constant touring and wanted to concentrate solely on writing and recording. The other members gradually left the band, discouraged by this and by their diminishing roles in the studio. Still, Dias remained with the group until 1980's Gaucho and Michael McDonald contributed vocals until the group'due south 20-year hiatus after Gaucho. Baxter and McDonald went on to join The Doobie Brothers. Steely Dan'due south final tour performance was on July v, 1974, a concert at the Santa Monica Borough Auditorium in California.[25]

Becker and Fagen recruited a diverse grouping of session players for Katy Lied (1975), including Porcaro, Paich, and McDonald, too as guitarist Elliott Randall, jazz saxophonist Phil Woods, saxophonist/bass-guitarist Wilton Felder, percussionist/vibraphonist/keyboardist Victor Feldman, keyboardist (and later on producer) Michael Omartian, and guitarist Larry Carlton—Dias, Becker, and Fagen existence Steely Dan'southward but original members. The anthology went gold on the strength of "Black Friday" and "Bad Sneakers", only Becker and Fagen were and so dissatisfied with the album's audio (compromised past a faulty DBX racket reduction system) that they publicly apologized for information technology (on the album's dorsum encompass) and for years refused to listen to information technology in its final form.[26] Katy Lied also included "Doctor Wu" and "Chain Lightning".

The Royal Scam and Aja (1976–1978) [edit]

The Imperial Scam was released in May 1976. Partly considering of Carlton'southward prominent contributions, it is the band'due south near guitar-oriented album. It too features performances by session drummer Bernard Purdie. The album sold well in the U.s.a., though without the strength of a hit single. In the Uk the single "Haitian Divorce" (Top 20) collection album sales, becoming Steely Dan's outset major hit there.[27] Steely Dan's 6th album, the jazz-influenced Aja, was released in September 1977. Aja reached the Top 5 in the U.S. charts inside three weeks, winning the Grammy award for "Engineer – Best Engineered Recording – Non-Classical." It was also one of the first American LPs to be certified 'platinum' for sales of over i million albums.[28] [29]

Roger [Nichols] fabricated those records sound similar they did. He was extraordinary in his willingness and desire to make records sound better.[30]

The records we did could not have been washed without Roger. He was just maniacal almost making the sound of the records exist what we liked... He always thought there was a amend fashion to do information technology, and he would find a fashion to do what we needed to in ways that other people hadn't done still.[31]

~ Steely Dan producer Gary Katz regarding Roger Nichols' office in the ring'southward recording legacy.

Featuring Michael McDonald's backing vocals, "Peg" (No. 11) was the album's beginning single, followed by "Josie" (No. 26) and "Deacon Blues" (No. 19). Aja solidified Becker'south and Fagen'south reputations equally songwriters and studio perfectionists. Information technology features such jazz and fusion luminaries as guitarists Larry Carlton and Lee Ritenour; bassist Chuck Rainey; saxophonists Wayne Shorter, Pete Christlieb, and Tom Scott; drummers Steve Gadd, Rick Marotta and Bernard Purdie; pianist Joe Sample and ex-Miles Davis pianist/vibraphonist Victor Feldman and Grammy award-winning producer/arranger Michael Omartian (piano).

Planning to tour in support of Aja, Steely Dan assembled a live band. Rehearsal ended and the tour was canceled when backing musicians began comparing pay.[32] The album's history was documented in an episode of the TV and DVD series Archetype Albums.

After Aja's success, Becker and Fagen were asked to write the title track for the movie FM. The motion picture was a box-part disaster, simply the song was a striking, earning Steely Dan some other engineering Grammy award. It was a pocket-size hit in the UK and barely missed the Top xx in the United statesA.[27]

Gaucho and breakup (1978–1981) [edit]

Becker and Fagen took a break from songwriting for most of 1978 earlier starting work on Gaucho. The project would not become smoothly: technical, legal, and personal setbacks delayed the album'due south release and subsequently led Becker and Fagen to append their partnership for over a decade.[33]

Misfortune struck early when an assistant engineer accidentally erased most of "The 2d Arrangement", a favorite track of Katz and Nichols,[34] which was never recovered. More trouble — this fourth dimension legal — followed. In March 1979, MCA Records bought ABC, and for much of the next two years Steely Dan could not release an album. Becker and Fagen had planned on leaving ABC for Warner Bros. Records, but MCA claimed ownership of their music, preventing them from changing labels.

Turmoil in Becker'south personal life also interfered. His girlfriend died of a drug overdose in their Upper Westward Side flat, and he was sued for $17 one thousand thousand. Becker settled out of court, but he was shocked past the accusations and by the tabloid press coverage that followed. Soon later on, Becker was struck by a taxi while crossing a Manhattan street, shattering his correct leg in several places and forcing him to use crutches.

Still more legal trouble was to come. Jazz composer Keith Jarrett sued Steely Dan for copyright infringement, claiming that they had based Gaucho's title rails on one of his compositions, "Long As You lot Know You're Living Yours" (Fagen later admitted that he'd loved the song and that it had been a strong influence).[35]

Gaucho was finally released in Nov 1980. Despite its tortured history, it was another major success. The anthology's first single, "Hey 19", reached No. 10 on the pop chart in early on 1981, and "Time Out of Heed" (featuring guitarist Marking Knopfler of Dire Straits) was a moderate hit in the spring. "My Rival" was featured in John Huston'due south 1980 moving-picture show Phobia. Roger Nichols won a third technology Grammy honor for his work on the album.

Time off (1981–1993) [edit]

Steely Dan disbanded in June 1981.[36] Becker moved to Maui, where he became an "avocado rancher and self-styled critic of the contemporary scene."[37] He stopped using drugs, which he had used for most of his career.[38] [39] [40] Meanwhile, Fagen released a solo album, The Nightfly (1982), which went platinum in both the U.Southward. and the UK and yielded the Top Twenty hit "I.G.Y. (What a Beautiful World)." In 1988 Fagen wrote the score of Bright Lights, Big City and a song for its soundtrack, but otherwise recorded little. He occasionally did production piece of work for other artists, every bit did Becker. The near prominent of these were 2 albums Becker produced for the British sophisti-popular group People's republic of china Crisis, who were strongly influenced past Steely Dan.[41] Becker is listed as an official member of People's republic of china Crunch on the showtime of these albums, 1985's Flaunt the Imperfection, and played keyboards on the ring's Peak xx United kingdom of great britain and northern ireland hit "Blackness Man Ray". For the second of the ii albums, 1989's Diary of a Hollow Horse, Becker is but listed as a producer and non as a band member.

In 1986 Becker and Fagen performed on Zazu, an album past quondam model Rosie Vela produced by Gary Katz.[42] The two rekindled their friendship and held songwriting sessions betwixt 1986 and 1987, leaving the results unfinished.[43] On October 23, 1991, Becker attended a concert by New York Stone and Soul Revue, co-founded by Fagen and producer/singer Libby Titus (who was for many years the partner of Levon Helm of The Ring and would after become Fagen's wife), and spontaneously performed with the group.

Becker produced Fagen's second solo album, Kamakiriad, in 1993. Fagen conceived the album as a sequel to The Nightfly.[ citation needed ]

Reunion, Alive in America (1993–2000) [edit]

Steely Dan, shown here in 2007, toured frequently after reforming in 1993.

Becker and Fagen reunited for an American tour to support Kamakiriad, which sold poorly despite a Grammy nomination for Album of the Year. With Becker playing atomic number 82 and rhythm guitar, the pair assembled a band that included a second keyboard player, 2nd lead guitarist, bassist, drummer, vibraphonist, three female backing singers, and four-piece saxophone department. Among the musicians from the live band, several would go along to work with Steely Dan over the next decade, including bassist Tom Barney and saxophone players Cornelius Bumpus and Chris Potter. During this tour, Fagen introduced himself as "Rick Strauss" and Becker as "Frank Poulenc".

The adjacent twelvemonth, MCA released Citizen Steely Dan, a boxed ready featuring their entire catalog (except their debut unmarried "Dallas"/"Canvas The Waterway") on four CDs, plus 4 extra tracks: "Here at the Western Earth" (originally released on 1978'southward "Greatest Hits"), "FM" (1978 single), a 1971 demo of "Everyone's Gone to the Movies" and "Bodhisattva (live)", the latter recorded on a cassette in 1974 and released equally a B-side in 1980. That twelvemonth Becker released his debut solo album, xi Tracks of Whack, which Fagen co-produced.

Steely Dan toured once again in support of the boxed set and Tracks. In 1995 they released a live CD, Alive in America, compiled from recordings of several 1993 and 1994 concerts. The Fine art Crimes Tour followed, including dates in the United states of america, Nihon, and their first European shows in 22 years. Later on this activity, Becker and Fagen returned to the studio to brainstorm work on a new album.

2 Against Nature and Everything Must Go (2000–2003) [edit]

In 2000 Steely Dan released their first studio album in twenty years: Two Against Nature. It won four Grammy Awards: All-time Engineered Album – Non-Classical, Best Pop Vocal Anthology, All-time Pop Performance past Duo or Group with Vocal ("Cousin Dupree"), and Album of the Year (despite competition in this category from Eminem's The Marshall Mathers LP and Radiohead's Child A). In the summer of 2000, they began some other American tour, followed by an international tour later that year. The tour featured guitarist Jon Herington, who would become on to play with the band over the side by side 2 decades. The group released the Plush Idiot box Jazz-Rock Party DVD, documenting a live-in-the-studio concert performance of pop songs from throughout Steely Dan's career. In March 2001, Steely Dan was inducted into the Rock and Ringlet Hall of Fame.[7] [viii]

In 2003 Steely Dan released Everything Must Go. In contrast to their before work, they had tried to write music that captured a live feel. Becker sang lead vocals on a Steely Dan studio album for the first time ("Slang of Ages" — he had sung lead on his own "Volume of Liars" on Alive in America). Fewer session musicians played on Everything Must Go than had become typical of Steely Dan albums: Becker played bass on every track and lead guitar on five tracks; Fagen added piano, electric piano, organ, synthesizers, and percussion on elevation of his vocals; touring drummer Keith Carlock played on every runway.

Firing of Roger Nichols [edit]

In 2002 during the recording of Everything Must Go, Becker and Fagen fired their engineer Roger Nichols, who had worked with them for 30 years, without caption or notification, according to band biographer Brian Sweet's 2018 revision of his volume Reelin' in the Years. [44]

Touring, solo activity (2003–2017) [edit]

To complete his Nightfly trilogy, Fagen issued Morph the Cat in 2006. Steely Dan returned to annual touring that year with the Steelyard "Sugartooth" McDan and The Fab-Originees.com Tour.[45] Despite much fluctuation in membership, the live band featured mainstays Herington, Carlock, bassist Freddie Washington, the horn department of Michael Leonhart, Jim Pugh, Roger Rosenberg, and Walt Weiskopf, and backing vocalists Carolyn Leonhart and Cindy Mizelle. The 2007 Heavy Rollers Bout included dates in Due north America, Europe, Japan, Commonwealth of australia, and New Zealand, making it their most expansive tour.[46]

The smaller Remember Fast Tour followed in 2008, with keyboardist Jim Beard joining the alive band. That year Becker released a second anthology, Circus Coin, produced past Larry Klein and inspired by Jamaican music. In 2009 Steely Dan toured Europe and America extensively in their Left Bank Holiday and Rent Party Bout, alternating between standard one-appointment concerts at large venues and multi-night theater shows that featured performances of The Royal Scam, Aja, or Gaucho in their entirety on sure nights. The following yr, Fagen formed the touring supergroup Dukes of September Rhythm Revue with McDonald, Boz Scaggs, and members of Steely Dan'due south live ring, whose repertoire included songs past all three songwriters. Longtime studio engineer Roger Nichols died of pancreatic cancer on April x, 2011.[47] Steely Dan'south Shuffle Diplomacy Bout that year included an expanded set list and dates in Australia and New Zealand. Fagen released his fourth anthology, Sunken Condos, in 2012. It was his first solo release unrelated to the Nightfly trilogy.

The Mood Swings: 8 Miles to Pancake Solar day Bout began in July 2013 and featured an 8-night run at the Beacon Theatre in New York Urban center.[48] Jamalot Ever After, their 2014 U.s.a. tour, ran from July 2 in Portland, Oregon to September xx in Port Chester, New York.[49] 2015's Rockabye Gollie Angel Tour included opening human activity Elvis Costello and the Imposters and dates at the Coachella Valley Music and Arts Festival. The Dan Who Knew Likewise Much bout followed in 2016, with Steve Winwood opening. Steely Dan likewise performed at The Hollywood Bowl in Los Angeles with an accompanying orchestra.

The band played its final shows with Becker in 2017. In Apr, they played the 12-date Reelin' In the Chips residency in Las Vegas and Southern California.[50] Becker's concluding operation came on May 27 at the Greenwich Town Political party in Greenwich, Connecticut.[51] Due to illness, Becker did not play Steely Dan's 2 Classics East and West concerts at Dodger Stadium and Citi Field in July.[52] Fagen embarked on a tour that summertime with a new backing band, The Nightflyers.

After Becker's death (2017–nowadays) [edit]

Becker died from complications of esophageal cancer on September 3, 2017.[53] In a note released to the media, Fagen remembered his longtime friend and bandmate, and promised to "keep the music we created together live as long equally I can with the Steely Dan ring."[54] After Becker's death, Steely Dan honored commitments to perform a short Northward American tour in October 2017 and three concert dates in the Britain and Ireland for Bluesfest on a double neb with the Doobie Brothers.[55] The band played its first concert post-obit Becker'south death in Thackerville, Oklahoma, on Oct 13.[55] In tribute to Becker, they performed his solo song "Book of Liars", with Fagen singing the lead vocals, at several concerts on the bout.[56]

Becker's widow and manor sued Fagen later that twelvemonth, arguing that the estate should control 50% of the ring'due south shares.[57] Fagen filed a counter suit, arguing that the ring had drawn up plans in 1972 stating that band members leaving the band or dying relinquish shares of the band's output to the surviving members. In December, Fagen said that he would rather have retired the Steely Dan name after Becker's death, and would instead have toured with the current iteration of the grouping under another proper name, only was persuaded non to by promoters for commercial reasons.[58]

In 2018, Steely Dan performed on a summer tour of the U.s.a. with The Doobie Brothers equally co-headliners.[59] The ring as well played a nine-show residency at the Beacon Theatre in New York City that October.[60] In February 2019, the ring embarked on a tour of Smashing Britain with Steve Winwood.[61] Guitarist Connor Kennedy of The Nightflyers joined the alive ring, beginning with a nine-night residency at The Venetian Resort in Las Vegas in April 2019.[62]

Musical and lyrical style [edit]

Music [edit]

Overall sound [edit]

Special attention is given to the individual sound of each instrument. Recording is done with the utmost allegiance and attention to sonic particular, and mixed so that all the instruments are heard and none are given undue priority. Their albums are also notable for the characteristically 'warm' and 'dry out' production sound, and the sparing use of echo and reverberation.

Backing vocals [edit]

Becker and Fagen favored a distinctly soul-influenced style of backing vocals, which after the beginning few albums were near e'er performed by a female person chorus (although Michael McDonald features prominently on several tracks, including the 1975 song "Black Friday" and the 1977 song "Peg"). Venetta Fields, Sherlie Matthews and Clydie King were the preferred trio for bankroll vocals on the group'southward late 1970s albums.[63] Other backing vocalists include Timothy B. Schmit, Tawatha Agee, Carolyn Leonhart, Janice Pendarvis, and Catherine Russell.[ citation needed ] The band also featured singers similar Patti Austin and Valerie Simpson on after projects such as Gaucho.[ citation needed ]

Horns [edit]

Horn arrangements have been used on songs from all Steely Dan albums. They typically feature instruments such as trumpets, trombones and saxophones, although they have also used other instruments such equally flutes and clarinets. The horn parts occasionally integrate simple synth lines to alter the tone quality of private horn lines; for example in "Deacon Dejection" this was done to "thicken" ane of the saxophone lines. On their earlier albums Steely Dan featured guest arrangers and on their afterward albums the arrangement piece of work is credited to Fagen.

Composition and chord use [edit]

Steely Dan is famous for their use of chord sequences and harmonies that explore the area of musical tension between traditional pop sounds and jazz. In particular, they are known for their use of the add 2 chord, a blazon of added tone chord, which they nicknamed the mu major.[64] [65] [66] Other common chords used by Steely Dan include slash chords.

Lyrics [edit]

Steely Dan's lyrical subjects are diverse, but in their bones approach they often create fictional personae that participate in a narrative or situation. The duo take said that in retrospect, about of their albums have a "feel" of either Los Angeles or New York Urban center, the two principal cities where Becker and Fagen lived and worked. Characters appear in their songs that evoke these cities. Steely Dan's lyrics are often puzzling to the listener,[67] with the true significant of the song "uncoded" through repeated listening, and a richer understanding of the references within the lyrics. In the song "Everyone's Gone to the Movies," the line "I know you're used to 16 or more, distressing we only have viii" refers not to the count of some article, but to eight mm film, which was lower quality than 16 mm or larger formats and often used for pornography, underscoring the illicitness of Mr. LaPage's movie parties.[68]

Thematically, Steely Dan creates a universe peopled past losers, creeps and failed dreamers, oft victims of their own obsessions and delusions. These motifs are introduced in the Dan'due south first hit song, "Do Information technology Again," which contains a description of a murderous cowboy who beats the gallows, a man taken advantage of by a cheating girlfriend, and an obsessive gambler, all of whom are unable to control their own destinies; similar themes of existence trapped in a expiry spiral of one'south ain making announced throughout their catalog. Other themes that they explore include prejudice, aging, poverty, and middle-class ennui.

Many would contend that Steely Dan never wrote a genuine dear song, instead dealing with personal passion in the guise of a destructive obsession.[69] Many of their songs concern love, but typical of Steely Dan songs is an ironic or disturbing twist in the lyrics that reveals a darker reality. For example, expressed "love" is actually about prostitution ("Pearl of the Quarter"), incest ("Cousin Dupree"), pornography ("Everyone's Gone to the Movies"), or some other socially unacceptable subject.[70] However, some of their demo-era recordings prove Fagen and Becker expressing romance, including "This Seat's Been Taken", "Oh, Wow, Information technology's You" and "Come up Back Infant".

Steely Dan's lyrics incorporate subtle and encoded references, unusual (and sometimes original) slang expressions, a wide diverseness of "word games." The obscure and sometimes teasing lyrics take given ascension to considerable efforts by fans to explicate the "inner meaning" of certain songs.[71] [72] Jazz is a recurring theme, and there are numerous other pic, tv and literary references and allusions, such as "Home at Last" (from Aja), which was inspired past Homer's Odyssey.[73]

Some of their lyrics are notable for their unusual meter patterns; a prime case of this is their 1972 hit "Reelin' In the Years", which crams an unusually large number of words into each line, giving information technology a highly syncopated quality.

"Name dropping" is another Steely Dan lyrical device; references to real places and people abound in their songs. The song "My Quondam School" is an example, referring to Annandale (Annandale-on-Hudson, New York, is home to Bard College, which both attended and where they met), and the 2 Against Nature album (2000) contains numerous references to the duo's original region, the New York metro surface area, including the district of Gramercy Park, the Strand Bookstore, and the upscale food store Dean & DeLuca. In the song "Glamour Profession" the conclusion of a drug deal is celebrated with dumplings at Mr. Chow, a Chinese restaurant in Beverly Hills. The ring even employed self-reference; in the song "Testify Biz Kids," the titular subjects are sardonically portrayed as owning "the Steely Dan T-shirt."

The band also often name-checks drinks, typically alcoholic, in their songs: rum and cokes ("Daddy Don't Live in That New York City No More than"), piña coladas ("Bad Sneakers"), zombies ("Haitian Divorce"), black cows ("Blackness Moo-cow"), Scotch whisky ("Deacon Blues"), retsina ("Habitation at Final"), grapefruit wine ("FM"), scarlet wine ("Fourth dimension Out of Mind"), Cuervo Gilt ("Hey Xix"), kirschwasser ("Babylon Sisters"), Tanqueray ("Lunch with Gina"), Cuban cakewalk (Fagen'due south solo track "The Bye Look"), and margaritas ("Everything Must Go") are all mentioned in Steely Dan lyrics.[74]

Members [edit]

Current members

  • Donald Fagen – lead vocals, keyboards, saxophone (1972–1981, 1993–nowadays)

Former members

  • Walter Becker – guitar, bass, backing and atomic number 82 vocals (1972–1981, 1993–2017; his death)
  • Jeff "Skunk" Baxter – guitar, backing vocals (1972–1974)
  • Denny Dias – guitar (1972–1974, studio contributions until 1977)
  • Jim Hodder – drums, backing and lead vocals (1972–1974; died 1990)
  • David Palmer – backing and pb vocals (1972–1973)
  • Royce Jones – backing vocals, percussion (1973–1974)
  • Michael McDonald – keyboards, backing vocals (1974, studio contributions until 1980)
  • Jeff Porcaro – drums (1974, studio contributions until 1980; died 1992)

Timeline [edit]

Discography [edit]

Studio albums

  • Can't Buy a Thrill (1972)
  • Inaugural to Ecstasy (1973)
  • Pretzel Logic (1974)
  • Katy Lied (1975)
  • The Regal Scam (1976)
  • Aja (1977)
  • Gaucho (1980)
  • Two Confronting Nature (2000)
  • Everything Must Go (2003)

Run into also [edit]

  • Listing of songwriter tandems

References [edit]

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External links [edit]

  • Official website Edit this at Wikidata

harriscrifel.blogspot.com

Source: https://en.wikipedia.org/wiki/Steely_Dan

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